We have someone who is interested in investing in a film that we produce. I have a contract to write. Are there any important clauses that I inlcude to or are there any models or instructions to follow there? Our film PPM Template is designed (and prescribed by law) for filmmakers who wish: the agreements of the sample film industry 115 (115) presented below are provided here only for educational purposes. The preparation or use of such agreements without consultation with an experienced conversation or, in some cases, a securities lawyer experienced in the film industry carries a high risk. Typical agreements are divided into six broad categories: (1) acquisition/development, (2) packaging, (3) lender financing, (4) investor financing, (5) production documentation and (6) distribution/licence. This collection of film industry agreements prepared by lawyers could be the most comprehensive collection of film industry agreements available to independent producers and lawyers to date. However, these contracts are only sample contracts (i.e., they are not “standard contracts,” “fill-in-the-blank-greener” contracts, “state-of-the-art contracts,” “custom contracts” or “formality contracts” with alternative language of comment. They have been prepared to be used by the parties and in situations that may differ from your circumstances. Any use that goes beyond learning how these transactions work in the film industry should be linked to the advice of a lawyer with experience in the specific transaction to which the document is intended. Dear friends, a model contract is not a contract and you should be aware of it! A template is a general overview of the agreement and could be used as a good basis for the actual contract (if you have the ability to understand what is the right model. For example, a treatment is not a scenario, it could be used as a fantastic basis for the screenplay, but this document is not enough to make a film… Negotiations with potential investors are more important for the contract itself, as each application is agreed between the parties and translated into clauses (recovery, exit, participation and possible actions).
So if you think a serious investor is interested in your project, I advise you to negotiate and try to understand all of his requests without giving him formal permission (it is always possible to say that your lawyer will read it before to approve a clause or deal), then if the amount of the investment justifies the intervention, call your lawyer and conclude the agreement. If the investment is not important (but it is important to you), then a lawyer could be expensive. In this case, try to negotiate and conclude simple and simple transactions without a model for a real investment agreement that you cannot verify and negotiate properly. Something like “I get this amount (specify when and how) and I`ll give you this (a list of recipients, credits, warranty etc.). Easy and clear reduce your risks. Low-budget films are often played by passive investors who are not in the film industry or who are familiar with them. Typically, they are successful businessmen with deep pockets willing to risk a few thousand dollars to help an independent filmmaker. These investors know that the chances of winning are slim, but they still want their money to be managed to the best of their ability given the risky nature of the film business.